Brewing
Western brewing
- Teaware
- gaiwan (盖碗, gàiwǎn) for aroma control, or a clay teapot made of Yixing clay (紫砂壶, zǐshāhú), which smooths and "rounds" the flavor of ripe pu'er.
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Brewing
Origin notes
Tea characteristics
Details
01 / Taste profile
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Tea encyclopedia
compressed cake (饼茶, bǐngchá), most often of the standard weight 357 g, known as "seven sons" (七子饼, qīzǐbǐng); seven cakes are traditionally wrapped in a bamboo sheath — "tong" (筒, tǒng).
compressed cake (饼茶, bǐngchá), most often of the standard weight 357 g, known as "seven sons" (七子饼, qīzǐbǐng); seven cakes are traditionally wrapped in a bamboo sheath — "tong" (筒, tǒng).
shaiqing maocha (晒青毛茶, shàiqīng máochá) — sun-dried crude tea, from the leaf of the Yunnan large-leaf bush.
Origin: Bulang Mountain massif, Menghai County (勐海县, Měnghǎi Xiàn), Xishuangbanna Dai Autonomous Prefecture (西双版纳, Xīshuāngbǎnnà), Yunnan Province (云南, Yúnnán), PRC.
Type: post-fermented pu'er tea (普洱茶, Pǔ'ěr chá), subcategory — ripe (shu) pu'er (熟茶, shú chá).
Bulang raw material, especially from Laoman'e, is renowned for such pronounced bitterness that it is considered a marker of origin; in ripe tea, this power transforms into body.
the Bulang are considered one of the oldest tea-growing peoples, and their settlements are often surrounded by old tea groves.
connoisseurs associate the recognizable profile of ripe pu'er from Menghai with the stable microbial environment of the local fermentation workshops.
unlike raw pu'er, ripe pu'er is suitable for drinking almost immediately after production, which makes it a convenient "everyday" tea.
the Bulang Mountain massif is the indigenous territory of the Bulang people (布朗族, Bùlǎngzú), descendants of the ancient Pu (濮人, Púrén), who are considered among the earliest cultivators of the tea plant in the region.
in the oldest villages, primarily Laoman'e (老曼峨, Lǎomàn'é), tea trees and groves several centuries old have been preserved; the village itself has existed for over a thousand years and maintains a Buddhist temple.
the method of artificial fermentation by wet-piling (渥堆, wòduī), which makes ripe pu'er possible at all, was developed and implemented in the 1970s at tea factories in Kunming and Menghai.
Camellia sinensis var. assamica — Yunnan large-leaf bush (云南大叶种, Yúnnán dàyèzhǒng).
large, leathery, with pronounced venation and a high content of extractive substances and polyphenols, typical of the assamica variety.
from bush plantation plantings (台地茶) to old trees (古树, gǔshù) and arborescent forms; for lots marked "arboreal," material is harvested from older plants.
Picking: predominantly spring and autumn; standard — bud with one or two leaves, occasionally coarser leaf for more accessible lots.
Climate: subtropical monsoonal, warm and humid, with a distinct division into a rainy season and a dry season, abundant fogs, and a significant diurnal temperature range.
Soil: red soils and lateritic soils, rich in iron, acidic, well-drained.
mountainous massif with tea gardens at altitudes ranging approximately from 1200 to 1900 m above sea level; individual plots are higher.
approximately 21.5° N and 100.4° E; the massif stretches southwest of the county center Menghai, along the border with Myanmar.
fresh leaf → withering and spreading (摊晾) → fixation of the green by heating (杀青, shāqīng) → rolling (揉捻, róuniǎn) → sun-drying (晒干) → crude shaiqing maocha.
maocha is moistened, gathered into piles and covered; under controlled temperature and humidity, microbial fermentation develops with the dominance of mould fungi, primarily black aspergillus (黑曲霉, hēiqūméi, Aspergillus niger).
the pile is periodically turned (翻堆) to equalize temperature and humidity; inside the mass, the temperature can rise to 50–65 °C.
the fermentation cycle usually takes around 40–70 days, depending on the recipe and the required degree of ripeness.
the fermented material is dried, sorted by fractions, and left to rest to eliminate sharp piling notes.
the tea is steamed, moulded into a cake under pressure, then slowly dried and packaged.
densely compressed cake of dark brown, chocolate-brown color, sometimes with golden tips; the aroma is warm, earthy-woody.
deep, transparent, chestnut-red or wine-ruby hue; in quality lots — with clear brilliance.
aged "old" tone (陈香, chénxiāng), woody-earthy notes, sometimes hints of forest floor, dried fruits, in some lots — a sweetish "glutinous rice" note.
dense, oily, coating, with pronounced body characteristic of Bulang raw material; soft sweetness, clean aftertaste with returning sweetness (回甘, huígān).
rich, "thick" mouthfeel (醇厚, chúnhòu), without the sharp bitterness inherent in the raw version.
dark brown, even, elastic in well-made tea.
Amino Acids: partially consumed during fermentation.
increase markedly during piling, responsible for the dark color of the infusion and its softness.
substantially reduced relative to raw pu'er due to oxidation and microbial transformation, which removes the main bitterness.
remains in moderate quantity, usually on the order of several percent of dry matter mass.
relatively high, associated with the sensation of sweetness and body.
gallic acid and other compounds formed through the activity of fungi and bacteria.
ripe pu'er is traditionally considered "warming" (温胃, wēnwèi) and is tolerated more comfortably than raw pu'er, due to the reduced content of active polyphenols.
it is drunk after fatty or heavy food for a feeling of lightness.
studies exist linking regular consumption of ripe pu'er to an influence on lipid levels; however, the results cannot be considered definitive medical conclusions.
thanks to the retained caffeine, it provides a mild toning effect without harshness.
fresh soft water brought to a full boil, about 100 °C.
approximately 7–8 g per 100–150 ml using the infusion technique.
one or two short rinse-infusions (洗茶, xǐchá) of 5–10 seconds, to wash off dust and "wake up" the densely compressed leaf; the first water is discarded.
start with very short steepings (approximately 8–15 seconds), gradually lengthening the time as the infusion weakens.
a quality cake withstands 10 or more infusions, yielding flavor gradually.
dense leaves that have given their main strength can be simmered in a pot over low heat for a soft sweet infusion.
Teaware: gaiwan (盖碗, gàiwǎn) for aroma control, or a clay teapot made of Yixing clay (紫砂壶, zǐshāhú), which smooths and "rounds" the flavor of ripe pu'er.
clean, dry, ventilated room free of foreign odors, away from direct light and sources of moisture.
moderate and stable; excessive dampness risks mould, excessive dryness halts maturation.
traditional paper wrapper and bamboo tong, for long-term ageing — cardboard boxes; airtight plastic should be avoided.
pu'er readily absorbs extraneous aromas; therefore, it should be kept separate from spices, perfumery, and the kitchen.
Bulangshan ripe pu'er is generally more accessible than the celebrated raw teas from individual villages of the massif; cost strongly depends on the origin of the raw material, tree age, producer reputation and year of ageing — from budget factory cakes to expensive lots from old gardens.
passing off material from other regions as Bulang; attributing a specific famous village (e.g., Laobanzhang) without confirmation; inflating the age of ageing; selling technically unsuccessful, "over-cooked" or mouldy tea.
rely on the cleanliness of aroma without mustiness or mould, on a dense and full-bodied flavor, on a uniformly dark brown spent leaf without sliminess, and on a transparent infusion.
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